Just two weeks before Roya, a banned Iranian journalist, is set to emigrate from Iran to Denmark at her husband’s insistence, she encounters a quiet young girl. The girl seems lost and doesn’t remember anything. Roya takes her in, unaware that the girl has abandoned her previous life and now has come to replace Roya. A couple of days later, Roya finds out that she will be prohibited from leaving Iran unless she sells out a colleague to the government authorities. Soon after Roya refuses to betray her friend, the young girl steals Roya’s identity and takes over her life with the assistance of Roya’s husband, Babak. As Roya fights to recover her identity, she realises, to her surprise, that no one remembers her anymore and that everybody takes the lost girl to be her. Babak throws Roya out of the house, at which point the authorities decide that Roya is to be exiled to another life as a passive housewife named Hanieh.
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24全州电影节 #01
imdb 5.8
伊朗这些年的电影总是以格外戏剧化的故事来发展,戏剧化过头反倒显得刻意了。1.5
01:47:17
#79 威尼斯# 毛骨悚然!被全世界联合起来欺骗,沦为伊朗铁链女的故事,伊朗这个国家整个体制烂到骨子里了
政治议题(隐喻)与好莱坞三四流悬疑强设定B级片剧本的强行拼接,甚至还不如邱礼涛《惊心动魄》,剧作剥夺了女主角的主体性,作为寓言来看也空洞至极,空余(妥协的)战斗欲,但依旧只是一团乱麻。
#79威尼斯#剧情有点儿猝不及防,GhG的反面典型。没看简介,所以被狠狠吓到了,但剧情经不起细想。不管是只惊鸿一瞥的跟踪者,还是莫名其妙就达成共识的所有人,都禁不起推敲。也许因为我并不了解伊朗社会吧,但总觉得事情不应该这么简单,好像一场噩梦一般。结局倒是有些出乎意料的温馨,用另一个身份再次相见。
#Venezia Orizzonti Extra
就前面的影像来说,我对本片还是满怀期待的。奈何一上悬疑就懵圈了,感觉很多细节缺乏逻辑,禁不起推敲。