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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?小草影院韩国电影神马影院光棍影院星空影院壮士出征中国风水文化恋之魔法波波糖通灵之战 第十六季街舞营业中第六季异教峰第一季荣归施蒂利亚州的诅咒集体降职女衒时间怪客旋涡花甲警官新萧十一郎劣探德克尔罗克恩罪案终结第四季门徒(2021)拉撒路纪录片：家有萌宠战士阶层画中情思侠义神捕之诡影国家地理 超级工厂 欧洲战斗机
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?小草影院韩国电影神马影院光棍影院星空影院壮士出征中国风水文化恋之魔法波波糖通灵之战 第十六季街舞营业中第六季异教峰第一季荣归施蒂利亚州的诅咒集体降职女衒时间怪客旋涡花甲警官新萧十一郎劣探德克尔罗克恩罪案终结第四季门徒(2021)拉撒路纪录片：家有萌宠战士阶层画中情思侠义神捕之诡影国家地理 超级工厂 欧洲战斗机